Showing posts with label Alice Koeth. Show all posts
Showing posts with label Alice Koeth. Show all posts

Sunday, May 27, 2007

And then there’s Alice!






What a great opportunity it was to take classes with Alice. Alice’s last name is Koeth, but the calligraphic world just knows her as Alice. I quickly became ‘the other Alice’ .

Alice has done some of the strongest calligraphy out there, has had a large impact on the next generation of calligraphers, and, though long retired, she’s still contributing to the calligraphic world. She taught one class in the morning and another in the afternoon, and was still in her classroom in the late evenings, coaching and chatting. In the photos at left, she is working with Portia Fitzhugh and David Chang.

She kept us working steadily, and we designed a certificate and an award, as well as listening to her humorous anecdotes, and exploring pen exercises which led to the creation of some pretty fabulous flowers. I was amazed how much I enjoyed the flowers, thinking that flowers were not really ‘my thing.’ But as she would say, in her NY accent, “It’s not about the flaaowers. Its about knowing how to use your tools. It’s about the line.”

Wednesday, May 16, 2007

The Cheerio Experience – An Overview








A hilltop in North Carolina (not a mountaintop, right Amy?) might seem like a strange spot for calligraphers from across North America to converge to study with a Belgian and a New Yorker... but the serene environment really contributes to the Cheerio magic.

This was my first time at Cheerio, and for me, Cheerio worked.

This session, the teachers were Alice Koeth and Brody Neuenschwander. Alice, a lively octogenarian, is a living legend in the calligraphic world, and it was early exposure to her hand-lettered posters in Manhattan’s Morgan Library, that helped stimulate Brody’s interest in calligraphy. So they were a fitting and complementary team. That was apparent as soon as they traded good-natured jabs in our introductory meeting. Alice’s approach, disciplined and full of integrity, and Brody’s approach, intuitive and exploratory, were a great combination for the eager students present.

The pace was intense, with both teachers having lots of information to cover in our too-short time together. Almost everyone worked from dawn til after dusk, with breaks for breakfast, lunch and dinner. Those breaks were wonderful – a time to meet new friends and put faces to the names seen in calligraphy publications. And the food – home-cooked southern foods with a touch of flair (extraordinary sauces and desserts) by the ever-popular chef, Martyn, was balanced with lots of fresh fruit and vegetables.

I had hoped to explore the beautiful setting, but there was little time for that, although I paused on the way between buildings to take in the stunning views or snap digital photos of the rolling hills.

Another highlight for me, was a brief meeting with John Stevens. I have admired his work since the late ’80’s, and had the chance to tell him that. He simply dropped in for dinner, and quite by chance, I ended up taking a wild, circular, calligraphic ride on the golf cart he was driving... no time to talk about letters, but memorable fun! A nice break in an intense and concentrated week.

I stayed in the dorms – something I really wasn’t looking forward to. But thanks to my fabulous ‘roomies’, it just meant coming home with two new friends. That's me with Sheila Cheek and Portia Fitzhugh, left.

For those calligraphers who have never been to Cheerio, do consider it. Your hosts, Jim and Joyce Teta, are fabulous, and southern hospitality is part of the experience. (Special thanks to Teresa, Dave and Camden!)